After
30-plus years of writing and performing, R.E.M. (or its remaining members)
posted yesterday that they were calling it a day. Most people probably feel they should have
called it years ago when Bill Berry, their original drummer and a strong
contributor to the songwriting, retired to his farm in Georgia after having
just had an aneurysm a couple of years before.
The band never really seemed to be the same after he left. Sure, they had flashes of their rich history
with songs like “The Great Beyond” and “Imitation of Life”, but I have to
believe that at that point the remaining members—Michael Stipe, Peter Buck, and
Mike Mills—were so busy with other projects and the loss of Berry as a regular
member that maybe they knew like the rest of us that the fire was
dwindling. Even if Accelerate and Collapse into
Now seemed to hint at a rebirth, the original four were still the best
band.
I more or
less have always liked R.E.M., so instead of mourning them, I’m going to praise
them and thank them for writing music that has had a long-lasting effect on
me. Since hearing “It’s the End of the
World as We Know It” on pop rock radio when I was eight or nine, I have at the
least followed their material if not made an effort to buy their records. I am glad I got to see them on the Monster Tour back in 1995, their first
since they toured on Green in
1989. Their music is as much a part of
how I play guitar as that of the Beatles or the Stones. Peter Buck’s chiming guitar is a part of my
musical fabric.
Speaking of Monster, that album just might be my
favorite of theirs. Insane thought,
perhaps, but when I think about the adolescent energy that went into that
record, moving away from the thoughtful and mature Out of Time and Automatic for
the People, I just get excited about the music. “Crush with Eyeliner”, “I Don’t Sleep, I
Dream”, “Strange Currencies”…these, along with many of the others on that
album, were songs that I could crank up with them and just enjoy. Not that I didn’t enjoy other songs the same
way—“The One I Love” and “Driver 8” were similar—but Monster was that reintroduction that became an event.
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